This chromolithograph is taken from plate 18 of William Simpson's 'India: Ancient and Modern'. Simpson's work was particularly novel in that it depicted scenes from everyday India. The work of jewellers was an integral part of Indian life. They were highly skilled craftsmen...
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A view of the river bank at Benares, including the Mir Ghat, Lalita Ghat, and Jalsain Ghat - 1790
Watercolour showing a view of the river bank at Varanasi (Benares) in Uttar Pradesh, including the Mir Ghat, Lalita Ghat, and Jalsain Ghat by an anonymous artist working in the Murshidabad style, c....
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Oil painting on paper depicting the tank at Madurai by Marianne North, dated 1877-79.
Initially, Marianne North (1830-1890) painted botanical specimens and travelled around the world in search of interesting subject matter. She visited India in 1877-79 and compl...
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Plate 16 from the second set of Thomas and William Daniell's 'Oriental Scenery.' The city of Madurai is dominated by the temple complex dedicated to Minakshi, the patron goddess. It is like a self-contained city with courtyards, pillared halls and shrines. The f...
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This lithograph is taken from plate 14 of Emily Eden's 'Portraits of the Princes and People of India'. It shows one of the favourite horses of Maharaja Ranjit Singh with the head officer of his stables. Passionately fond of horses, Singh had them adorned...
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Water-colour painting of Mysore by Neil Cormack (fl. 1814-1837) dated to either 1823 or between 1831 and 1837, during Cormack's residence in South India. Inscribed on the back in ink is: 'Mysore from the Tank. Neil Cormack.'
Mysore is situated in a valley in Karnataka in s...
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Emily Eden
From the book - Portraits of the Princes & People of India, tinted lithographed title with hand-coloured vignette and 20 hand-coloured plates.
By L. Dickinson after E. Eden
Printed by C. Hullmandel, London - 1844
Pencil drawing of Parbati Hill near Pune in Maharashtra by George Boyd (1800-1850) dated to between 1821 and 1844. This is one of 95 drawings (90 folios) chiefly of landscapes and monuments in the Deccan, West India and Afghanistan.
A long series of steps and ramps leads to the top of hill on wh...
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Water-colour painting of the Palace of the Peshwas and temple of Parvati at Poona (Pune) by Stanley Leighton (1837-1901), 3 January 1868. Inscribed on the front in pencil is: 'Temple of Parvati & ruined Palace of the Peshawurs - Poonah. 3rd. Jan. 1868. S.L.'
Pune is situated near to the Western ...
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The tank, palace and general view of Panna - May 1814
Water-colour painting of Panna by Colin MacKenzie (1754-1821) in May 1814. Inscribed on the front in ink is: 'Sketch of the Table Land & the Tank, Palace etc at Penna in Bundelkand from the Table land above the same - by C. McK. May 1814.'
Plate six in 'Picturesque Scenery in the Kingdom of Mysore' by James Hunter. This aquatint is based on a picture by Hunter depicting the entrance gate to the Lal Bagh Gardens at Srirangapatnam. Inside this garden is the tomb of Haidar Ali (c.1722-1782...
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Watercolour of Europeans being entertained by dancers and musicians in a splendid Indian house during Durga puja by William Prinsep (1794-1874) dating from the 1830s-1840s.
The subject matter and treatment is rather unlike Prinsep's normal style, and it is possible that this is based on another...
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This is plate 13 from James Fergusson's 'Illustrations of the Rock Cut Temples of India'. The largest and best-preserved of the Buddhist caves at Karli is the Chaitya or great prayer hall.
Fergusson depicts a close-up view of the interior pillars divi...
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This is plate 14 from James Fergusson's 'Illustrations of the Rock Cut Temples of India'. The Buddhist caves of Kanheri lie in forested hills north of Bombay. There are about 120 rock-cut caves on the site.
This colonnaded chaitya (prayer hall) date...
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