Select views in Mysore, the country of Tippoo Sultan
Drawing taken on the spot by Mr.Home
By Robert Home
Published by Mr.Bowyer, London - 1794
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Select views in Mysore, the country of Tippoo Sultan
Drawing taken on the spot by Mr.Home
By Robert Home
Published by Mr.Bowyer, London - 1794
Read More
Select views in Mysore, the country of Tippoo Sultan
Drawing taken on the spot by Mr.Home
By Robert Home
Published by Mr.Bowyer, London - 1794
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Digital Rare Book:
A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
Water-colour painting of the view from the fort of Pratapgarh by William Carpenter(1818-1899) in 1850. The image is inscribed: 'The Ghats Mahableshwur seen from the fortress of Pertabghur Nvr/50' which is repeated on reverse.
The Great Imambara of Asaf al-Daula, Lucknow - 1795
Watercolour of the Great Imambara of Asaf al-Daula, Lucknow, part of the Hyde collection by an anonymous artist working in the Murshidabad style in c. 1790-1800. Inscribed on the back in pencil and ink: 'Emaumbarree at Lucknow.'
Image:
The Great Temple of Jagannath and procession, Puri in Orissa) - 1820
Pencil drawing of the procession at the Great Temple of Jagannatha at Puri in Orissa, part of the MacKenzie Collection, dated September 1820. Inscribed on front in ink: 'View of the Temple & Procession at Pooree, Septr, ...
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Drawings depicting sculpture from Somnathpur - 1853
Wash drawing by Murugesa Moodaliar
Wash drawing by an Indian draftsman, Murugesa Moodaliar, of two Hoysala sculptures from Karnataka with measurements; signed:' P. Mooroogasa Moodr', dated c.1853.
The Hoysala was a very powerful dynasty that r...
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Opaque watercolour painting of the shrine of Shri Ranganathasvami at the core of the Srirangam complex. The image, on the golden roof of the main shrine, is of Viṣṇu Paravasudeva. At the gate of the inner sanctuary are two Dvarapalas (door guardians), Bhadra and Subhadra; near them are two empty ...
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Fort and bridge between Trichinopoly and Srirangam -1850
Painting in gouache on mica of the rock, fort and bridge between Trichinopoly (Tiruchchirappalli) and Srirangam, by an anonymous artist working in the Trichinopoly style, c. 1850. Inscribed: 'A Temple on a Hill and a Bridge near to Trichin...
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Painting depicting a Vaisnava temple procession ca.1820, in South India. Possibly from Srirangam. The temple gopurams (or towering gateways) are seen in the background as the lively procession passes outside the temple wall. Visnu's Sankha and Chakra are held up in the middle of the procession al...
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Nammalvar sits in lalitasana on a platform. His complexion is blue, he wears a headdress, the chayakkontai, and Tengalai namams (emblems) are drawn on his forehead throat, arms and stomach. His jewellery is made of Kamalakshi beads. His right hand is in the teaching gesture and in his left he ho...
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A View From The King's Barracks, Fort St. George, Madras - 1804
Plate two from '24 Views in Indostan by William Orme'. This aquatint was prepared Richard Bankes Harraden (1778-1862) after an original by Francis Swaine Ward (1736-94). Fort St. George was established by the British East India Comp...
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Ghulam Ahmad went to Delhi, which was at the time considered a centre of religious learning and home to many prominent religious leaders, in 1891, with the intention of distinguishing what he believed to be the truth from falsehood. He published an advertis...
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Watercolour painting on paper of Marichi, a Rishi and son of Brahma. He is shown standing in a flat landscape. He wears a red dhoti with a gold shawl tied over his chest. He wears wooden sandals and holds a walking stick in his right hand. In his left hand he holds a pot. A long string of beads h...
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Watercolour painting on paper of Angiras, a Vedic Rishi. He is shown wearing a yellow dhoti with matching shawl draped over his shoulder. He wears wooden sandals on his feet and has two strings of beads around his neck. He holds a walking stick in his right hand and a bunch of grass. In his left ...
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A Railway Train in two sections. The upper has four coaches with men and women passengers, Sikh and British. The lower has two coaches and an engine. The train is symbolic of the new Punjab. Railways reached the Punjab in the early 1860's and the Sikhs had been c...
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Opaque watercolour painting of the red-complexioned, four-armed and magnificently attired Sūrya. He stands in samabhanga on a low dais at the centre of an oval frame. He carries in each of his upper hands a dagger, while his lower right hand is in abhaya and his lower left in varada mudra....
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Colour lithograph, lettered, inscribed and numbered 4 depicting a scene from the Mahabharata. Bhisma is lying on a bed of arrows with Arjuna standing next to him with bow drawn and pointed at earth to bring out water for Bhisma, who is pierced by numerous arrows.