Essay:
From Mahatma Gandhi to Nehru, everyone was an MS Subbulakshmi fan
By Vikram Sampath
Published in The Print - 6 July, 2019
In 1926, a shy girl dressed in a traditional Tamilian attire of silk paavadai and davani, her thick curls pressed down with copious oil and a generous vermillion dot m...
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Essay:
Sundarabai, the versatile singer-actor who helped women musicians herself died unsung & poor
By Vikram Sampath
Published in The Print - 16 June 2019
Sundarabai was witness to many changes in the world of music and entertainment, and helped several performers adapt to modern technology.
Essay:
Gauhar Jaan, India’s first record artist, took Rs 3,000 a session & threw parties for her cat
By Vikram Sampath
Published in The Print - 5 May, 2019
Gramophone’s search for ‘native’ voices in 1900s brought it to India’s Gauhar Jaan, who would go on to have 600 records to her nam...
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Essay:
Hindustani vocalist Abdul Karim Khan’s music has special relevance in these communal times
By Vikram Sampath
Published in The Print - 19 May, 2019
Listening to Abdul Karim Khan at the age of 11, Bhimsen Joshi is said to have made up his mind that this was how real music ought to be.
Essay:
Bangalore Nagarathnamma, the singer who took to Sanskrit and feminism in 19th Century India
By Vikram Sampath
Published in The Print - 26 May, 2019
European record companies participated with artists like Nagarathnamma, a devadasi, at a time Indian society hounded them in name of morality...
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Essay:
Coimbatore Thayi, the Carnatic singer who struck a chord in Paris but is unknown in India
By Vikram Sampath
Published in The Print - 18 June, 2019
Gramophone records were usually colourâ€coded based on the artiste’s popularity. Thayi’s was coded violet, indicating she was among the m...
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Essay:
Ariyakkudi, maestro who woke up snoring crowds at concerts & made modern-day Carnatic music
By Vikram Sampath
Published in The Print - 23 June, 2019
Ariyakkudi Ramanuja put together styles of various musicians across centuries to create the ‘golden mean’ for Carnatic music.
Digital Rare Book:
Contemporary Paintings of India
Published by Ministry of Information and Broadcasting, Department of Tourism, Government of India - 1950
Deviprasad Roychowdhury, (1899-1975 AD) artist. Born in Rangpur on 14 October 1899, he had his early education at home. He started learning painting at the feet of Italian painter Boiess. Later he abandoned European technique and style and became a disciple of...
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Deviprasad Roychowdhury, (1899-1975 AD) artist. Born in Rangpur on 14 October 1899, he had his early education at home. He started learning painting at the feet of Italian painter Boiess. Later he abandoned European technique and style and became a disciple...
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Deviprasad Roychowdhury, (1899-1975 AD) artist. Born in Rangpur on 14 October 1899, he had his early education at home. He started learning painting at the feet of Italian painter Boiess. Later he abandoned European technique and style and became a...
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Arjuna as a Victor
Abdur Rahman Chughtai
Watercolor on paper
Abdur Rahman Chughtai is remembered today as possibly the most distinguished Pakistani artist of the 20th century. His work draws from a shared South Asian cultural heritage, and he was one of the few Pakistani artists to be recognize...
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Abdur Rahman Chughtai (Pakistan, 1897-1975)
Untitled (Hasrat stare), circa 1960
Watercolor on paper; signed in Urdu lower right.
Chughtai believed that it was the duty of the artist to rise above prejudice in the creation of an art that celebrates inclusive and universal tradition. According to ...
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Radha and Krishna
By Abdur Rahman Chughtai (Pakistan, 1897-1975)
Watercolour on paper
Abdur Rahman Chughtai is remembered today as possibly the most distinguished Pakistani artist of the 20th century. His work draws from a shared South Asian cultural heritage, and he was one of the few Pakistani...
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