Posted on: 23 October 2012

Stall for the sale of painted figures, a painting in the Company style

From northern India
Around AD 1850

Souvenir for a European visitor to India

'Company' painting is the broad style term used to describe the paintings produced by Indian artists for European patrons, particularly the British of the East India Company, in the late eighteenth and nineteenth centuries. Paintings of natural history, architecture and everyday life in India were of particular interest to the British. Many sets of Company paintings are of Indian occupations or castes, or rituals and festivals.

In this painting a woman is shown seated on a platform selling clay models of Hindu deities arranged on several shelves. On the top row are the goddesses Kali and Durga within large arches. On the next row down are four images of the elephant-headed Ganesha. Beneath are rows of cows, tigers and elephants with riders. Such models are often found for sale at the entrances to temples as souvenirs for visiting pilgrims. Alongside the stall a man is shown making pots.

Such Company paintings were produced by Indian artists for Europeans to send home to Britain as souvenirs. This was especially important in the days before photography, providing those unlikely ever to see India with some inkling of its wonders. The style of these paintings combines both Indian and European features. From the 1840s the patronage of this type of painting declined with the introduction of photography.

- Mildred Archer, Company paintings: Indian pain (Victoria and Albert Museum, London, 1992)

© Trustees of the British Museum


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The description is perfect! It is after all by a great scholar and expert on Company painting. One can clearly see how Western style has influenced this painting- the presence of perspective and depth, and a focus on realism betray this clearly. Company paintings of trades and occupations are a dime a dozen. However such Company paintings vary in quality immensely. The paintings in the Fraser Album are thought to be the pinnacle of this painting tradition.

Алтарь на фестивале Нама- Хатт))

1850 or whenever but i remember seeing this woman and potter and their painted clay figurines, exactly as it is in this painting, everyday while coming back from school in early 1970s. couple of times i even bought toys and stuff from them.

so beautyful !