Parvati nursing Ganesha
Opaque watercolour on paper
Kalighat
Kolkata, ca. 1830
Painting, in opaque watercolour and silver on paper, the Hindu godess Parvati, shown with yellow flesh tones and silver detailed jewellery on her face, arms and neck, is nursing her elephant-headed son Ganesha in her arms.
Historical significance:
Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.
Copyright: © V&A Images
Clarify? It's simple. A painter from rural india painted this picture for a sake of it whatever it wishes to please. Another Salvador Dali in the making. Nothing to clarify.
This is beej बीज मंत्र (seed) mantra, in this mantra. Among other things, it says, "Shower Your blessings, O Lord. I offer my ego as an oblation." श्रीं हृीं क्लीम , गलौं गुम गणपतएवारा वारदा सार्वज़नमे वसामानया स्वाहा: Shreem Hreem Kleem ,Gloum Gum Ganapataye,Vara Varada Sarvajaname,Vasamanay, Swaha: वक्रतुंडा महाकाया सूर्यकोटी समा प्रभा
El arte como una forma de "resistencia" . Para decir "dejaré constancia de lo que somos y de lo que el invasor nos está inculcando".