Drawings depicting sculpture from Somnathpur - 1853
Wash drawing by Murugesa Moodaliar
Wash drawing by an Indian draftsman, Murugesa Moodaliar, of two Hoysala sculptures from Karnataka with measurements; signed:' P. Mooroogasa Moodr', dated c.1853.
The Hoysala was a very powerful dynasty that r...
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Krishṇa lifting up Mount Govardhan.
The cowherd god is depicted effortlessly lifting up the mountain to shelter his followers from the storm of the god Indra, seen in the upper right of the painting on his elephant mount, Airavata.
Gouache painting on paper.
Painted by Ustad Sahibdin
Bikaner...
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An illustration from an avatar series:
Narasimha disembowls Hiranyakashipu
Hyderabad, circa 1800
Opaque watercolor, gold, and silver on paper.
The split silver pillar disrupts an otherwise perfect symmetry, adding a sense of movement behind the brilliant gold avatar. His delightful grin betrays...
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Hiranyakashipu brandishes his sword at a burning pillar concealing Narasimha
Kangra, 1810-1820
With a pile of hot coals set around the base of the column, two demons work bellows to intensify the heat and flames. On the left another demon escorts Prahlada, carrying a writing slate under his arm...
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Opaque watercolour painting of the shrine of Shri Ranganathasvami at the core of the Srirangam complex. The image, on the golden roof of the main shrine, is of Viṣṇu Paravasudeva. At the gate of the inner sanctuary are two Dvarapalas (door guardians), Bhadra and Subhadra; near them are two empty ...
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Fort and bridge between Trichinopoly and Srirangam -1850
Painting in gouache on mica of the rock, fort and bridge between Trichinopoly (Tiruchchirappalli) and Srirangam, by an anonymous artist working in the Trichinopoly style, c. 1850. Inscribed: 'A Temple on a Hill and a Bridge near to Trichin...
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Painting depicting a Vaisnava temple procession ca.1820, in South India. Possibly from Srirangam. The temple gopurams (or towering gateways) are seen in the background as the lively procession passes outside the temple wall. Visnu's Sankha and Chakra are held up in the middle of the procession al...
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Nammalvar sits in lalitasana on a platform. His complexion is blue, he wears a headdress, the chayakkontai, and Tengalai namams (emblems) are drawn on his forehead throat, arms and stomach. His jewellery is made of Kamalakshi beads. His right hand is in the teaching gesture and in his left he ho...
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A View From The King's Barracks, Fort St. George, Madras - 1804
Plate two from '24 Views in Indostan by William Orme'. This aquatint was prepared Richard Bankes Harraden (1778-1862) after an original by Francis Swaine Ward (1736-94). Fort St. George was established by the British East India Comp...
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Ghulam Ahmad went to Delhi, which was at the time considered a centre of religious learning and home to many prominent religious leaders, in 1891, with the intention of distinguishing what he believed to be the truth from falsehood. He published an advertis...
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Procession réligieuse dans les galeries du couvent de Ramisseram près de Ceylan - June 1841
Lithograph of a religious procession inside the Ramalingeshwara Temple at Rameshwaram in Tamil Nadu near Sri Lanka by L.H. de Rudder (1807-1881) after the original drawing of June 1841 by Prince Aleksandr...
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This aquatint was taken from plate 9 of Salt's 'Twenty Four Views in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt'. Viscount Valentia, George Annesley described this temple at Rameshvaram (in Tamil Nadu) as: "one of the most sacred and most sp...
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Painting of the Ghats on the banks of the river Jumna, Mathura - 1865
By William Simpson
Watercolour on paper
The scene depicts the ghats on the bank of the River Jumna, Mathura (U.P). It includes the quadrangular tower, the San Burj built in in the 16th century, which commemorates the Raja o...
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Watercolour painting on paper of Marichi, a Rishi and son of Brahma. He is shown standing in a flat landscape. He wears a red dhoti with a gold shawl tied over his chest. He wears wooden sandals and holds a walking stick in his right hand. In his left hand he holds a pot. A long string of beads h...
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Watercolour painting on paper of Angiras, a Vedic Rishi. He is shown wearing a yellow dhoti with matching shawl draped over his shoulder. He wears wooden sandals on his feet and has two strings of beads around his neck. He holds a walking stick in his right hand and a bunch of grass. In his left ...
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A Railway Train in two sections. The upper has four coaches with men and women passengers, Sikh and British. The lower has two coaches and an engine. The train is symbolic of the new Punjab. Railways reached the Punjab in the early 1860's and the Sikhs had been c...
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