New Book:
Religion and Rajput Women: The Ethic of Protection in Contemporary Narratives
By Lindsey Harlan
Published by University of California Press - 1992
Read Book Online:
http://bit.ly/LU1pVi
Image:
Shiva-puja by Abanindranath Tagore, painting, watercolour on paper, Bengal, c.190...
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Watercolour painting of the Palace at Udaipur in Rajasthan by Herbert Lyndon (fl. 1879-1898), c. 1898. Inscribed on the front is: 'Herbert Lyndon. 98.'
Udaipur is the new capital of the Mewar State (Chittor was sacked in 1567) and was founded by Mahar...
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Strongly influenced by European photographic conventions, this late Jaipur painting shows Rupshahji Dev Bahadur (left of the table) receiving another nobleman, probably Maharaja Madho Singh of Jaipur (right of the table).
The Deodar Cedar tree (Cedrus deodara), also known as the Indian or Himalayan cedar, is an important lumber tree native to the Himalayas, from Tibet to Afghanistan, though it also grows at high altitudes in India. Elegant in appearance, with evergreen swinging branches, it can live for a thousand...
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Simpson, William (1823-1899). Painter and lithographer. Simpson was apprenticed to a lithographer in Glasgow and in 1851 came to London where he made views of the Great Exhibition. He became wel...
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A view of Badrinath; snow-covered mountain in the background, three yaks and two boys in the foreground. Garwhal - 29 May 1808.
Watercolour by Hyder Young Hearsey (1782-1840) of a view of Badarinath in Garwhal, Uttar Pradesh, dated 29th May 1808. This view, showing the snow-covered mountain in...
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A view of the Himalayas from the top of the Judge's House at Moradabad - 1814
Watercolour of the Himalayas from 'Views by Seeta Ram from Mohumdy to Gheen Vol. V' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1814-15. Marquess of Hastings, the Governor-Genera...
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Return visit of the Viceroy to the Maharaja of Cashmere - 1867
This chromolithograph is taken from plate 30 of William Simpson's 'India: Ancient and Modern'. It illustrates the return visit made by Viceroy Lord Canning to Maharaja Ranbir Singh of Kashmir on 9 March 1860, during the viceroy's p...
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Source of the River Jhelum in octagonal tank, Verinag (Kashmir) - 1 June 1886
Water-colour painting of the source of the River Jhelum in an octagonal tank at Verinag (Kashmir) by Charles J. Cramer-Roberts (1834-1895), 1 June 1886. Inscribed on the front in water-colour is: 'Kashmir. Vernag. June...
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Island Palaces in Udaipur - 1932
By Yoshida Hiroshi , (Japanese, 1876 - 1950)
Showa era
Woodblock print; ink and color on paper
H: 28.2 W: 40.5 cm
Japan
The vision of the palaces built on islands in Pichola Lake in the city of Udaipur in the present-day Indian state of Rajasthan inspired th...
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Cave Temple at Ajanta
1931
By Yoshida Hiroshi , (Japanese, 1876 - 1950)
Showa era
Woodblock print; ink and color on paper
H: 27.4 W: 40.7 cm
Japan
Yoshida visited the caves at Ajanta in the present-day Indian state of Maharashtra, where Buddhist monasteries and temples were carved into the ...
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Lord Moira's European servants seated on an elephant - 1814
Watercolour of European servants on an elephant from 'Views by Seeta Ram from Mohumdy to Gheen Vol. V' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1814-15. Marquess of Hastings, the Governor-Gener...
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Elephants crossing a bridge of boats over the Bhagirathi at Suti - 1821
Watercolour of elephants crossing a bridge at Suti from an album of miscellaneous views of Bengal produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1820-21. Marquess of Hastings, the Governo...
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Watercolour with pen and ink of the taming of a wild elephant in a large wooden arena at Amarapura from 'A Series of Views in Burmah taken during Major Phayre’s Mission to the Court of Ava in 1855' by Colesworthy Grant. This album consists of 1...
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The War Elephants Citranand and Udiya Collide in Battle: 1590-1595
This painting from the Akbarnama (Book of Akbar) is the left half of a double-page composition. The other side is Museum no. IS.2: 63-1896. It depicts the elephant Citranand attacking another, called Udiya, during the Mughal camp...
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This chromolithograph is taken from plate 31 of William Simpson's 'India: Ancient and Modern'. The royal elephants of the Maharaja Holkar are being prepared for a ceremonial ride by their mahouts or handlers. They are caparisoned with rich ha...
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